interference
winds of these prayers
paint the flatlands of my father
these words chill me
and no one comforts me
keye luke returns to mars
the lunar was explored last year
there are no angels
in the recent snow
and only a photographic
image of the girl's wings
in the album now
my hands are pale this season
there are no excuses for
letting myself drowned
the noise has segued to interference
it has lost its sonic white purity
there is no wisdom in the static
no messages from the yellow man
on the red planet
the plains spread away from
this door forever
no moon, no stars
More private language. Besides the Keye Luke figure this poem also uses the reference to the Lunar Explored, a manuscript of poems written in the mid 1970s. The lunar in the title referred to the female principle, the moon being the ancients direct icon for the female. For me there was always a sexual, or at least genital reference in the word lunar. The snow angel reference is once again to a poem of Alison Gaughan's about making snow angels ("our angels never touch"). Later Gary Adkins used it as the title for a novel he wrote that took the Maltese Falcon story and retold it in contemporary Springfield, using Bill Lambrecht, the journalist, and his partner, Sandy Martin, as two of the main characters. The reference towards the end to static and wisdom come from my first novel manuscript, It Seems So Long Ago, which is set after a nuclear holocaust in the american southwest. There is a character in this book who watches the static on his tv (no broadcast signal) and imagines he can see things in the snow that give meaning to his existence. You can see the cross reference to the snow angel at work in this. I had a period between the first and second Scarritt groups where I felt completely abandoned by my friends. This piece comes from that period.
paint the flatlands of my father
these words chill me
and no one comforts me
keye luke returns to mars
the lunar was explored last year
there are no angels
in the recent snow
and only a photographic
image of the girl's wings
in the album now
my hands are pale this season
there are no excuses for
letting myself drowned
the noise has segued to interference
it has lost its sonic white purity
there is no wisdom in the static
no messages from the yellow man
on the red planet
the plains spread away from
this door forever
no moon, no stars
More private language. Besides the Keye Luke figure this poem also uses the reference to the Lunar Explored, a manuscript of poems written in the mid 1970s. The lunar in the title referred to the female principle, the moon being the ancients direct icon for the female. For me there was always a sexual, or at least genital reference in the word lunar. The snow angel reference is once again to a poem of Alison Gaughan's about making snow angels ("our angels never touch"). Later Gary Adkins used it as the title for a novel he wrote that took the Maltese Falcon story and retold it in contemporary Springfield, using Bill Lambrecht, the journalist, and his partner, Sandy Martin, as two of the main characters. The reference towards the end to static and wisdom come from my first novel manuscript, It Seems So Long Ago, which is set after a nuclear holocaust in the american southwest. There is a character in this book who watches the static on his tv (no broadcast signal) and imagines he can see things in the snow that give meaning to his existence. You can see the cross reference to the snow angel at work in this. I had a period between the first and second Scarritt groups where I felt completely abandoned by my friends. This piece comes from that period.
posted by As Bjorn at 3:15 PM
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