another daughter of the light
Graves spoke of the reason for poetry
the angry goddess of the wheat, twisting
daily lives around the fingers of a frantic
hand? I don't believe so. I think it was
a Chinese handcuff; she didn't watch,
didn't know what time it was. As always
she was suddenly too late.
Suddenly stuck in a fingertrap, wondering
what he'll look like at forty0four. Was she
the Moon, then? Certainly divine, like
that dancer, was it Sarah? Who strangled
on her scarf in a fast car as it wrecked.
The problem in freedom is its applications ...
So Venus, or Ishtar, Demeter, or Harlow,
Mary Tyler Moore, Jan Brady. Who was she?
I know I know her from before.
A thousand years ago or maybe ten.
& does she even know?
Probably not, those doors are shut
& still.
This piece was written primarily about a woman named Julie Blomberg who I came to know through Mid-America Playwrights Theatre, Keith Kelley's group that I did many plays with in Springfield. Julie was in her mid-twenties and finally decided I was just too damn old for her. The ironic part was that she was dating a dentist at the time. He had a ton of money, but he really wasn't extreme enough for her. I know that later on she split with him and moved to Chicago. I was 44 at the time, of course. She wanted me, but she afraid of what that meant. Father issues.
Labels: Julie Blomberg, Keith Kelley, Mid-America Playwrights Theatre
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